Croix Chordsmen Chorus






		SCV Learning Tracks

Song Title		All	Tenor	Lead	Bass	Bari	Other
After You've Gone				X
Alabamy Bound		X		X	X
Amazing Love			X
Armed Forces Medley				X	X
Ave Maria			X	X
Battle Hymm of the Republic			X	X	X	X
Beautiful Savior-Gentry			X	X	X	X
Betelehemu			X	X	X
Climb to the Top of the Highest Mountain						X	Quartet
Coventry Carol		X	X	X
Darkness On The Delta			X	X	X	X
Deep River			X	X	X	X
Do You Hear What I Hear?				X
E'en So Loed Jesus Quickly Come		X	X		X		Sop-Alt
Every Time I Feel The Spirit			X	X
Four Leaf Clover				X
Go Tell It On The Mountain		X	X
God Bless America			X	X	X	X
Goin To Bethlehem		X	X
Great Day		X	X	X	X	X
Hallelujah Chorus		X	X	X	X	X	Tenor 19-29 43-49 67-71
Halls Of Ivy			X	X	X
Hello Mary Lou				X	X
Home On the Range		X		X	X
I Wonder As I Wander			X
I'll Fly Away			X	X	X
I'll Take You Home Again Kathleen			X	X	X	X
Irish Blessing			X	X	X
It Came Upon A Midnight Clear/Silent Night			X	X	X	X
It's Only A Paper Moon		X	X	X	X	X
Let All Mortal Flesh		X			X	X
Little Pal		X	X	X	X	X
Loch Lomond			X	X	X	X
Mary Had A Baby		X	X	X	X	X
Minnesota Medley				X	X
Mr Touchdown				X	X
O Canada			X	X
O Come O Come Emmanuel		X	X	X	X	X
O Holy Child			X	X
O Holy Night			X	X	X	X
ObLaDiObLaDa		X	X	X	X	X
Old Kentucky Home			X	X
Once Upon A Time		X	X	X	X	X
Precious Lord					X
Precious Memories			X	X	X	X
Ring De Bells				X	X
Run Run Run			X	X	X	X
Shenandoah			X	X	X	X
Spoonful Of Sugar				X	X
Star Spangled Banner		X	X	X	X	X
Still Still Still			X
Sweet Hour Of Prayer			X	X	X
Sweetheart Of Sigma Chi				X	X
Swing Low Sweet Chariot			X	X	X	X
The Old Songs			X	X	X	X
Tomorrow Shall By My Dancing Day		X	X
Toyland			X	X
Under The Boardwalk			X	X	X	X
When There's Love At Home		X	X	X	X	X
Whiffenpoof				X	X
You Gotta Be A Football Hero				X	X
(Wisconsin Medley) On Wisconsin Songs To Thee Wisconsin Varsity			X X	X X X	X X X
Zip-A-Dee Doo Dah			X	X	X	X










Paper Moon Learning Tracks

All Voices
	Tenor				Lead
	Tenor Predominant No Tenor				Lead Predominant New Tag No Lead Lead Merged

	Bass				Baritone
	Bass Predominant No Bass				Baritone Predominant No Baritone

Great Day Learning Tracks

All Voices
	Tenor				Lead
	Tenor Predominant No Tenor				Lead Predominant No Lead Lead Merged With Bari Measure 37

	Bass				Baritone
	Bass Predominant No Bass				Baritone Predominant No Baritone Bari Merged With Lead Measure 37


Ob La Di Ob La Da Learning Tracks

All Voices
	Tenor				Lead
	Tenor Predominant No Tenor				Lead Predominant No Lead

	Bass				Baritone
	Bass Predominant No Bass				Baritone Predominant No Baritone

	High Soloist				Low Soloist
	High Soloist Predominant No High Soloist				Low Soloist Predominant No Low Soloist


	"Ob-La-Di, Ob-La-Da" is a song by The Beatles originally released on the double-disc album The Beatles (also known as The White Album), and later released as a single. It is mostly written by Paul McCartney, though credited to Lennon/McCartney. The song was written around the time that reggae* was beginning to become popular in Britain. The tag line "ob la di ob la da, life goes on, bra" was an expression that Nigerian conga player Jimmy Scott, an acquaintance of McCartney, often used. According to studio engineer Geoff Emerick, John Lennon openly hated the song. After leaving the studio during recording of the song, (after several days and literally dozens of takes of the song, trying different tempos and styles) Lennon returned a few hours later, heavily drugged, declaring loudly that he was more stoned than he had ever been and than the other Beatles would ever be. He then went to the piano and banged out the unique piano introduction to the song, claiming that it was what the song needed. The chords that he played are the ones used in the final mix. When singing the vocals for the song, specifically the last verse of the song, Paul made a slip and said "Desmond stayed at home and did his pretty face", rather than Molly, and had Molly letting "the children lend a hand". Reportedly, this mistake was kept in because the other Beatles liked it. Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broader sense to refer to most types of Jamaican music, the term reggae* more properly denotes a particular music style that originated following on the development of ska and rocksteady. Reggae is based on a rhythmic style characterized by regular beats on the off-beat, known as the skank. Reggae is normally slower than ska, and usually has accents on the first and third beat in each bar. Reggae song lyrics deal with many subjects, including religion, love, sexuality, peace, relationships, poverty, injustice and other social and political issues.

2006 Copyright St. Croix Valley Croix Chordsmen Chorus All rights reserved. Web Graham Smith Company